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Books in English / Искусство и фотография / Школы, периоды, стили...

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Thomas Lawrence: Regency Power & Brilliance

8307.00 руб.*

Cassandra Albinson, Peter Funnell, Lucy Pelz

Thomas Lawrence: Regency Power & Brilliance

Sir Thomas Lawrence (1769–1830) was the pre-eminent portraitist of the Regency period, depicting monarchs, political leaders, aristocratic families, society beauties, and actresses with bravura flair. This important book explores Lawrence’s political friendships and allegiances along with his exceptional role as witness to significant historical events, and contrasts these with his remarkable ability to depict the charm and innocence of childhood. Elected President of the Royal Academy in 1820, Lawrence was instrumental in establishing the status of the artist in 19th-century Britain.
Modern Art, 1905-1945 (Chambers Arts Library)

1895.00 руб.*

Edina Bernard

Modern Art, 1905-1945 (Chambers Arts Library)

Book DescriptionCovering movements as diverse as Fauvism, Cubism, Neoplasticism, Dadaism, Surrealism, and Magic Realism, this book paints a vivid picture of the birth and early years of what we loosely call modern art. Features the work of artists such as Picasso, Matisse, Munch, Magritte, Kandinsky, Dix, and Rivera.
Russell T. Gordon: Over Easy

3216.00 руб.*

Maurice Forget

Russell T. Gordon: Over Easy

Russell T. Gordon is an African-American artist who has lived and worked in Montreal for over thirty years. This first monograph offers a critical survey covering work from the early figurative paintings of the 70s with their California funk aesthetic to today's elegant large abstractions. Gordon's work collides full on with the formative influence of jazz and mirrors the improvisational approach of Charlie Parker and Thelonious Monk. The publication includes an essay and an interview exploring the influences and life experiences that shaped Gordon's approach to art-making.
Franz West: White Elephant

3477.00 руб.*

Patrick Charpenel, Michel Blancsube, Veit Loers, Franz West

Franz West: White Elephant

Since the mid-1960s, Franz West (born 1947) has been finding new ways to balance his art on the line between beauty and ugliness. At the age of 14, West--living in bombed-out, post-Nazi Vienna--attended an event organized by the Viennese Actionists, at which Hermann Nitsch smashed a lamb cadaver against the wall of a basement room in a tenement building: "it was incredibly shocking and really depressing," West said. His own art over the past four decades has eschewed such nihilism: his Adaptives, which he has described as "neuroses made material" (with a nod to Darwin as well), are sculptural objects for viewers to engage physically, using them as ungainly temporary prostheses, appliances, accessories, and instructional tools. White Elephant documents these, as well as West's important works of furniture and collage, and his marvelously awkward sculptures, which seem lumpily homely and unbalanced, or gangly and hopeful as a blemished teen.
Fernand Leger

1172.00 руб.*

Carolyn Lanchner, Fernand Leger

Fernand Leger

Fernand Leger is famed for his mechanical-tubular Cubism of the 1920s and for the Futurist-inspired film Ballet Mecanique, his collaboration with composer George Antheil. Leger incorporated elements from a wide range of modernist artistic movements, including Fauvism, Neoplasticism, Surrealism, Neoclassicism and even Social Realism. This volume includes 35 color images; a commentary by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, accompanies each work, elucidating its significance and its context.
German Impressionist Landscape Painting: Liebermann-Corinth-Slevogt

7534.00 руб.*

Helga Aurisch, Gotz Czymmek, Bernhard Geil

German Impressionist Landscape Painting: Liebermann-Corinth-Slevogt

This beautiful catalogue gathers a magnificent selection of the finest landscape works by Max Liebermann, Lovis Corinth, and Max Slevogt--Germanya??s three greatest Impressionist painters. Impressionism, considered a French style of painting, was greetedA with hostility in Germany, where traditionalists opposed all foreign influence in the art of their nation state. Yet Liebermann, Corinth, and Slevogt, whose works were less rigid and routine than those of many of their contemporaries, won over a doubtful domestic audience and inspired a flowering of Impressionism in Germany.This is the first in-depth study in English of works by Liebermann, Corinth, and Slevogt and showcases 92 of their Impressionist masterpieces. The booka??s contributors explore the three artistsa?? approaches to landscape painting; the relation of German Impressionism to French Impressionism, to the Barbizon School, and to the Dutch landscape tradition; and the history of German Impressionism and the development...

2871.00 руб.*

Alain Jouffroy


Book DescriptionAn iconoclastic poet and painter, open to everything that was "other" and different, responsive to any form of newness - not only in art but to such external realities as machines - Francis Picabia never needed to define himself as a "modern." "Surmodern" rather than modern, he, like his early comrade Marcel Duchamp
Alan Reynolds: The Making of a Concretist Artist

8900.00 руб.*

Michael Harrison

Alan Reynolds: The Making of a Concretist Artist

Alan Reynolds (b.1926) is an English artist of international repute, whose career falls into two unequal halves: the landscape and abstract painter of the 1950s and 1960s, and the constructive artist of the last forty years. This illustrated monograph is the first book to bring together these two different bodies of work and to provide a complete overview of Reynolds' development as an artist. The quest for equilibrium has been at the centre of Alan Reynolds' art since he emerged from the Royal College of Art over fifty years ago already feted, as Bryan Robertson wrote, as 'the golden boy of post neo-romanticism in England'. Reynolds' engagement with landscape, from his native Suffolk to the hop gardens and orchards of his adoptive Kent, was inspired in part by Constable and Paul Nash but also by Paul Klee and increasingly by Mondrian, until depiction was firmly set aside in favour of the abstract. This book traces the progress of Alan Reynolds' work from the early landscapes to the...
The Image of the Black in Western Art: Volume 2: From the Early Christian Era to the \

10532.00 руб.*

The Image of the Black in Western Art: Volume 2: From the Early Christian Era to the "Age of Discovery": Part 1: From the Demonic Threat to the Incarnation of Sainthood

In the 1960s, as a response to segregation in the United States, the influential art patron Dominique de Menil began a research project and photo archive called The Image of the Black in Western Art. Now, fifty years later, as the first American president of African American descent occupies his historic term in office, her mission has been re-invigorated through the collaboration of Harvard University Press and the W.E.B. Du Bois Institute to present new editions of the coveted five original books and the anticipated first part of a new volume. The completed set will include ten sumptuous books in five volumes with up-to-date introductions and more full-color illustrations, printed on high-quality art stock for books that will last a lifetime. This monumental publication offers expert commentary and a lavishly illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great...
American Neoclassical Painters: Rembrandt Peale, Sarah Miriam Peale, John Vanderlyn, Jacques Amans

806.00 руб.*

American Neoclassical Painters: Rembrandt Peale, Sarah Miriam Peale, John Vanderlyn, Jacques Amans

Chapters: Rembrandt Peale, Sarah Miriam Peale, John Vanderlyn, Jacques Amans. Source: Wikipedia. Pages: 26. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Rembrandt Peale (February 22, 1778 October 3, 1860) was a 19th century American artist who received critical acclaim for his portraits of presidents George Washington and Thomas Jefferson. Although modern art critics would consider Peales artwork as French neoclassical, its dark and stylized characteristics are similar to 15th and 16th century paintings. "Portrait of George Washington" (1795 - 1823)Rembrandt Peale was born the third of six surviving children (eleven had died) to his mother, Rachel Brewer, and father, Charles Willson Peale in Bucks County, Pennsylvania, on February 22, 1778. The father, Charles, also a notable artist, taught each child to paint scenery and portraiture, and...

Books in English / Искусство и фотография / Школы, периоды, стили...



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