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В этом разделе вы можете найти различные книги: художественную литературу и беллетристику на иностранных языках, пособия и методички, учебную и справочную литературу по изучающему языку. К вашему вниманию художественная литература на немецком и английском языке. Словари и энциклопедии. А понравившиеся издания вы можете заказать с доставкой.


Books in English / Искусство и фотография / Школы, периоды, стили...

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Arne Quinze: Modern Contemporary

8021.00 руб.*

Jean-Pierre Frimbois, Arne Quinze

Arne Quinze: Modern Contemporary

Belgian artist Arne Quinze uses "poor" materials to fashion makeshift dwellings presented as sculptural installations. In their extreme precariousness, Quinze's Stilt Houses and Bidonvilles parody the haste with which residential buildings are often erected today, and point to the alienated character of citydwelling in their gapingly dehisced state.
An Economic History of South Africa : Conquest, Discrimination, and Development (Ellen McArthur Lectures)

3670.00 руб.*

Charles H. Feinstein

An Economic History of South Africa : Conquest, Discrimination, and Development (Ellen McArthur Lectures)

Book DescriptionThis book examines five hundred years of South African economic history.
Crusading in the Fifteenth Century : Message and Impact

10973.00 руб.*

Crusading in the Fifteenth Century : Message and Impact

Book Description This collection of essays by European and American scholars addresses the changing nature and appeal of crusading during the period which extended from the battle of Nicopolis in 1396 to the battle of Mohacs in 1526. Contributors focus on two key aspects of the subject. One is developments in the crusading message and the language in which it was framed. These were brought about partly by the appearance of new enemies, above all the Ottoman Turks, and partly by shifting religious values and innovative currents of thought within Catholic Europe. The other aspect is the wide range of responses which the papacy's repeated calls to holy war encountered in a Christian community which was increasingly heterogeneous in character. This collection represents a substantial contribution to the study of the Later Crusades and of Renaissance Europe.
Andreas Slominski

6457.00 руб.*

Andreas Slominski

Andreas Slominski

German artist Andreas Slominski (born 1959) explores the still fertile realm of the readymade, appropriating such functional objects as bicycles, windmills and other found materials which he then reproposes as freestanding sculptures, or which he incorporates, with the use of spray paint, into polystyrene wall reliefs. Slominski always intends his sculptures to elicit the more absurd qualities of the props of everyday life. Though the artist is perhaps best known for his work as an absurdist sculptor, Slominski is also a veteran of absurdist performance: he once famously charged two mimes with the task of carrying an invisible painting from the Royal College of Art to the Serpentine in London. For another similarly wacky work, he had a giraffe in a zoo lick a stamp for a letter he then sent. This monograph surveys the artist's work from 1996 to the present.
Abstract Expressionism at The Museum of Modern Art

3661.00 руб.*

Ann Temkin

Abstract Expressionism at The Museum of Modern Art

More than 60 years have passed since Robert Coates, writing in the "New Yorker" in 1946, first used the term "Abstract Expressionism" to describe the richly colored canvases of Hans Hofmann. The name stuck, and over the years it has come to designate the paintings and sculptures of artists as different from one another as Jackson Pollock and Barnett Newman, Willem de Kooning and Mark Rothko, Lee Krasner and David Smith. The achievements of this generation put New York on the map as the center of the international art world, and constitute some of the twentieth century's greatest masterpieces. From the mid-1940s, under the aegis of Alfred H.Barr, Jr., works by then little-known American artists - including Pollock, de Kooning, Smith, Arshile Gorky and Adolph Gottlieb - began to enter the Museum's collection. These ambitious acquisition initiatives continued throughout the second half of the last century and produced a collection of Abstract Expressionist art the breadth and depth of...
Geometries of Silence : Three Approaches to Neoclassical Art (Italian Academy Lectures)

5815.00 руб.*

Anna Ottani Cavina

Geometries of Silence : Three Approaches to Neoclassical Art (Italian Academy Lectures)

Book Description Based on little-known or hitherto unpublished material, and enhanced by a wealth of rarely seen illustrations, this book offers access to the aesthetics of neoclassical Europe from a new perspective: landscape painting and interior decoration.
Mira calligraphiae monumenta: A Sixteenth-century Calligraphic Manuscript inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel

11744.00 руб.*

Lee Hendrix, Thea Vignau-Wilberg

Mira calligraphiae monumenta: A Sixteenth-century Calligraphic Manuscript inscribed by Georg Bocskay and Illuminated by Joris Hoefnagel

In 1561-62, Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were further embellished by Joris Hoefnagel, Europe's last great manuscript illuminator. This book, now in the collection of the J. Paul Getty Museum, is reproduced here in complete facsimile form, accompanied by a commentary that includes a full description; a discussion of its patron, Rudolf II, and his cultural and historical milieu; the biographies of Hoefnagel and Bocskay; and an analysis of the manuscript's role in their careers. The introduction discusses the broader issues raised by the manuscript. Topics include Hoefnagel's nature imagery, which encompasses plants, fruits, and small animals, and its relation to the spread of interest in botany and zoology at the end of the sixteenth century. Another...
Chagall

630.00 руб.*

Adolfo Gomez Cedillo

Chagall

One of the most original and imaginative geniuses of twentieth-century art, Marc Chagall studied painting in his native Russia with the set designer Leon Bakst. Later, while working in Paris, he was strongly affected by the Fauves' brilliant color and the Cubists' -new sense of space. From these and other sources, Chagall developed a Romantic and personal naive expression based on themes from Eastern European village life and Russian and Jewish folklore. Animal and floral motifs, village characters, brides, and pairs of lovers occur often in his imagery. As a fantasy artist and forerunner of Surrealism, Chagall established himself as an important force in twentieth-century art by the sheer power and fertility of his imagination, and by his immense creative output over decades. Much of his work is associated with literature, including his many illustrations for the Bible, the fables of La Fontaine, and Gogol's Dead Souls. In 1945 he designed the acclaimed sets and costumes for...
Medieval Ivory Carvings: Early Christian to Romanesque

7448.00 руб.*

Paul Williamson

Medieval Ivory Carvings: Early Christian to Romanesque

The V&A's collection of ivory carvings (c. 400-1200) is one of the most important in the world. This beautifully illustrated catalogue consists of 120 entries that discuss in detail many of the most celebrated ivories of the Middle Ages. Major masterpieces from every era of the period include the Symmachi Panel from Late Antiquity; the front cover of the Lorsch Gospels from the Carolingian era; the Ottonian Basilewsky Situla; the Veroli Casket from tenth-century Byzantium; the St Nicholas Crozier; the enigmatic whalebone carving of the Adoration of the Magi from the Romanesque twelfth century; and, numerous others of the first importance and beauty.
The Dance of Death in the Middle Ages: Image, Text, Performance

13388.00 руб.*

Elina Gertsman

The Dance of Death in the Middle Ages: Image, Text, Performance

This book introduces readers to the texts and imagery of the Dance of Death, a subject that first emerged in western European art and literature in the late medieval era. Depicting a long procession of representatives of different classes and ages, seized by prancing skeletons, the Dance eloquently communicated the message of the inevitability of death and the futility of human ambition. The image was frequently accompanied by verses, written in the vernacular, which comprised a dialogue between Death and its victims. The volume inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. The first part of the book outlines the structures of visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death images. The second part proposes different modes of viewing for four particular Dance of Death paintings, each...


Books in English / Искусство и фотография / Школы, периоды, стили...

 

 

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